18.1 C
Munich
星期四, 11 9 月, 2025

Rachel Antonoff Fall 2025 Ready-to-Wear Collection

Must read

At X-Girl’s ’90s Fashion Show, Angela Hill Captured an Underground Scene—and an Unknown Chloë Sevigny

Most of the box’s contents were unsalvageable, save for a few negatives: images of Glastonbury festival goers and snaps from the X-Girl show. Hill...

On the Podcast: Mr. Calvin Klein!

Calvin Klein takes his final runway bow at his fall 2003 show. Photo: Marcio MadeiraMany years ago—before the turn of millennium, if I’m not mistaken—I...

Demi Moore Is Back Statement Power Suiting for Fall

It’s been a little while since we last got to see the elegant styles of Demi Moore, after sweeping through the previous year’s awards...

Women by Women: A Shared Vision: Femxphotographers

Femxphotographers proves that when we lift each other up instead of competing, we can create ambitious, lasting work rooted in solidarity and shared values....

Sinatra once wished for luck to be a lady, and this season Rachel Antonoff made that her reality. For fall 2025 she was thinking of casinos and good luck charms, and all that lucky energy may have worked in her favor, as it was Antonoff’s best collection in recent memory. Highlights included an A-line short dress in shiny black silk in a bold floral (with a secret white rabbit masquerading as a flower), a short quilted robe coat in black and white polka dots with matching stirrup leggings (“Because, why not?,” declared Antonoff), and a striking red knitted dress with “sand art”-inspired irregular stripes in navy, yellow and baby blue. It must be noted that the very glamorous woman of a certain age with long white hair that stars in this season’s lookbook wore the clothes in a way that made them incredibly cool and alluring. It would be nice if other designers went this route more often.

Antonoff’s signature prints were present—a very ’80s chain print that was “knotted necklaces,” the hotel floor-detritus after a long party night, dominoes—but this season she balanced the whimsical with more elevated silhouettes. The latter print she used on a relaxed double breasted suit with a surprisingly modern feel, while even the pieces that hinted at the 1980s—like a tank dress with off-centered ruffled poufs in contrasting polka dots—also felt very au courant. “I do like an outfit that you could wear to work, but if you paired it with tap shoes for a recital, it wouldn’t be insane,” she said. There’s a real freedom in that.

#Rachel #Antonoff #Fall #ReadytoWear #Collection

- Advertisement -

More articles

LEAVE A REPLY

Please enter your comment!
Please enter your name here

- Advertisement -

Latest article

At X-Girl’s ’90s Fashion Show, Angela Hill Captured an Underground Scene—and an Unknown Chloë Sevigny

Most of the box’s contents were unsalvageable, save for a few negatives: images of Glastonbury festival goers and snaps from the X-Girl show. Hill...

On the Podcast: Mr. Calvin Klein!

Calvin Klein takes his final runway bow at his fall 2003 show. Photo: Marcio MadeiraMany years ago—before the turn of millennium, if I’m not mistaken—I...

Demi Moore Is Back Statement Power Suiting for Fall

It’s been a little while since we last got to see the elegant styles of Demi Moore, after sweeping through the previous year’s awards...

Women by Women: A Shared Vision: Femxphotographers

Femxphotographers proves that when we lift each other up instead of competing, we can create ambitious, lasting work rooted in solidarity and shared values....

Alejandra Alonso Rojas Spring 2026 Ready-to-Wear Collection

For the past few seasons, Alejandra Alonso Rojas has flirted with the idea of being a fully-sustainable designer—often making use of organic materials like...